Gott versorget alles Leben, Aria, No. 5 from Cantata No. 187: Es wartet alles auf dich (Piano Score)

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Contents

  1. Es wartet alles auf dich, BWV 187 (Bach, Johann Sebastian)
  2. Wind Instruments | Sheet Music Now
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  4. Wind Instruments

The poet paraphrased in movement 1 more lines from Psalm and in movement 3 Psalms Bach performed the cantata at least three times, first on 4 August , a second time between and , and a third time on 26 July He used the music of four movements, the opening chorus and the arias, for movements of the Gloria of his Missa in G minor, BWV In the opening chorus Bach achieves a unity of form, but at the same time an individual handling of the four ideas of the text, as in a motet.

Es wartet alles auf dich, BWV 187 (Bach, Johann Sebastian)

The motifs of the instrumental sinfonia of 28 measures are continued through most of the movement, creating unity. In the following second section, "Wenn du ihnen gibest The instruments play colla parte first, then add motifs from the sinfonia. In the third concluding section the complete text is repeated within a part of the sinfonia.

The first aria praises God as the sustainer of life, accompanied by the full orchestra in a dance-rhythm with irregular grouping of measures in the ritornellos. In movement 4 the biblical words from the Sermon on the Mount are given to the bass as the vox Christi voice of Christ , accompanied by the violins in unison and the continuo, which also takes part in their motifs.

The soprano aria is in two contrasting parts, the first one accompanied by festive dotted rhythms and a broad melody of the solo oboe, the second, marked un poco allegro, again like a dance.


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  • Cantata BWV - Discussions Part 1.
  • Cantata BWV - Discussions Part 2?
  • Die große Mandrenke (German Edition).

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The poet paraphrased in movement 1 more lines from Psalm and in movement 3 Psalms Bach performed the cantata at least three times, first on 4 August , a second time between and , and a third time on 26 July He used the music of four movements, the opening chorus and the arias, for movements of the Gloria of his Missa in G minor, BWV In the opening chorus Bach achieves a unity of form, but at the same time an individual handling of the four ideas of the text, as in a motet. The motifs of the instrumental sinfonia of 28 measures are continued through most of the movement, creating unity.

In the following second section, "Wenn du ihnen gibest The instruments play colla parte first, then add motifs from the sinfonia. In the third concluding section the complete text is repeated within a part of the sinfonia. The first aria praises God as the sustainer of life, accompanied by the full orchestra in a dance-rhythm with irregular grouping of measures in the ritornellos.

In movement 4 the biblical words from the Sermon on the Mount are given to the bass as the vox Christi voice of Christ , accompanied by the violins in unison and the continuo, which also takes part in their motifs. The soprano aria is in two contrasting parts, the first one accompanied by festive dotted rhythms and a broad melody of the solo oboe, the second, marked un poco allegro, again like a dance.

Wind Instruments

Only the instruments repeat the dotted rhythm of the beginning. The last words of the soloist in the recitative are enriched by the strings, like the vox Christi in Bach's St Matthew Passion. The final chorale is a four-part setting for the choir and all instruments.

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