Fuga a 3 Soggetti

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  1. eClassical - Fuga a 3 Soggetti
  2. Die Kunst der Fuge (The Art of Fugue), BWV 1080: Contrapunctus XIX (Fuga a 3 soggetti)
  3. Fuga a 3 Soggetti

eClassical - Fuga a 3 Soggetti

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Die Kunst Der Fuge Producer: Johann Sebastian Bach Violin: Reinhard Goebel Performing Orchestra: View the first page for free below. You can download and print this score yourself, after you have ordered this item. Download preview high resolution PDF.

Die Kunst der Fuge, Contrapunctus XIX a - Fuga a 3 Soggetti BWV 1080

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This autograph is typically referred to by its call number of P in the Berlin State Library. Three manuscripts for pieces that would appear in the revised edition were bundled with P at some point before its acquisition by the library. The revised version was published in May , slightly less than a year after Bach's death.

Die Kunst der Fuge (The Art of Fugue), BWV 1080: Contrapunctus XIX (Fuga a 3 soggetti)

In addition to changes in the order, notation, and material of pieces which appeared in the autograph; it contained 2 new fugues, 2 new canons, and 3 pieces of ostensibly spurious inclusion. A second edition was published in , but differed only in its addition of a preface by Friedrich Wilhelm Marpurg. In spite of its revisions, the printed edition of contained a number of glaring editorial errors.


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The majority of these may be attributed to Bach's relatively sudden death in the midst of publication. Three pieces were included that do not to appear to have been part of Bach's intended order: The anomalous character of the published order and the Unfinished Fugue have engendered a wide variety of theories which attempt to restore the work to that state originally intended by Bach.

The work divides into seven groups, according to each piece's prevailing contrapuntal device; in both editions, these groups and their respective components are generally ordered to increase in complexity. In the order in which they occur in the printed edition of without the aforementioned works of spurious inclusion , the groups, and their components are as follows.

Counter-fugues, in which the subject is used simultaneously in regular, inverted, augmented, and diminished forms:.

Fuga a 3 Soggetti

Double and triple fugues , employing two and three subjects respectively:. Mirror fugues, in which a piece is notated once and then with voices and counterpoint completely inverted, without violating contrapuntal rules or musicality:. Both editions of the Art of Fugue are written in open score , where each voice is written on its own staff. This has led some to conclude [6] that the Art of Fugue was intended as an intellectual exercise, meant to be studied more than heard.

The renowned keyboardist and musicologist Gustav Leonhardt , [7] argued that the Art of Fugue was probably intended to be played on a keyboard instrument and specifically the harpsichord. However, opponents of Leonhardt's theory such as Reinhard Goebel argue that: