The Visitor: Sex and Violence in a Galactic Empire/Erotic Science Fiction
He was always ahead of his time in the ideas he layed out.
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Thanks for the comment, Nick, I appreciate it. Sci fi novel about a boy born on mars, raised by Martians. He becomes a god the government wants to kill. A theme of the story is water. I really liked that book, and will revisit it this weekend! I was hoping someone could tell me the title of a short book i read years ago. It was about a team of scientests charged with colonizing a planet with humanoid inhabitants who could pass there souls on to a new body and had thousands of them in there concise minds.
They were called the people. This site uses Akismet to reduce spam. Learn how your comment data is processed. This page is a work in progress, subject to revision. One of my top favorite PKD novels, Martian Time-Slip is set in an arid Martian colony where Establishment-approved information is crammed into youthful heads by teaching machines.
The novel was first published under the title All We Marsmen , serialized in the August, October and December issues of Worlds of Tomorrow magazine. All wired together by an overarching paranoia regarding the cultural, social, biological, and neurological mechanisms via which the many are conditioned and controlled by the few.
Luc Sante sums up the message of the trilogy like so: A prolific New Wave sci-fi genius! As the story begins, a British suburb begins to grapple with the fact that an unending drought — brought on by human pollution — will result in rivers running dry, crops failing, and humankind succumbing to famine and disease.
Some years later, a small band of survivors from that suburb traverses vast salt plains in search of potable water. An expanded version, retitled The Drought , was published in In the far future, interstellar travel is made possible thanks to the spice melange — the psychoactive properties of which allow pilots to safely route faster-than-light travel. Melange is also responsible for the witchy powers of the Bene Gesserit, an ancient sisterhood that has carried out a breeding program designed to produce the Kwisatz Haderach a messiah-like figure.
It won the inaugural Nebula Award for Best Novel. The Earth is badly over-heated, and the UN — the global governing body — is conscripting settlers to colonize unpleasant nearby planets. However, when Bulero attempts to assassinate Eldritch, he is plunged into a nightmarish odyssey of nested hallucations… which causes him to question the very nature of reality itself.
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A freaky classic of psychedelic literature. An alien culture called The Invaders is up to something that could prove potentially catastrophic to the human Alliance… but what? Babel was joint winner of the Nebula Award in — along with Flowers for Algernon. The UN, meanwhile, attempts to defeat Ferry via a mind-control device of their own: Originally published as a novella, in , by Fantastic.
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In an African colony, Sanders, a British doctor, discovers that entrance to the forest is being discouraged. Seeking his friends, who run a leper colony to which he is strangely attracted , he travels upriver — echoes of Heart of Darkness are intentional — and discovers that trees, grass, water, animals and men are slowly being encased in glittering crystals. The universe, its myriad of possibilities, is crystallizing into sameness! Which, in a way, is just a literalization of a process already underway — the separation of alienated individuals from one another, industrial capitalism forcing everything and everyone to become the same.
Serialized in the first Moorcock-edited issue of New Worlds. Eric Sweetscent, an organ-transplant surgeon asked to secretly tend to Molanari, who has developed a psychosomatic ailment in which he suffers along with anyone near who him who is in any kind of pain, gets involved in Terra-Lilistar politics. Dick was very fond of his Molinari character, whom he described as a blend of Christ, Lincoln, and… Mussolini, for whom he harbored a certain non-fascist sympathy. When ethnologist Gaveral Rocannon visits the primitive planet Fomalhaut II, his ship is destroyed by agents of Faraday, an upstart planet threatening the peaceful galaxy.
As he travels, and engages in various battles, Rocannon becomes a figure of legend. However, when he reaches the enemy base he must revert to a sophisticated interstellar op. Fans of Iain M. As it turns out, this is a puppet-show of sorts: Of the latter, the aliens have made a hodge-podge: This conceit alone might have made for a terrific mythopoetic sci-fi novel; however, Delaney introduces myriad other issues: The Einstein Intersection is pretentious — but in the best possible way.
All of this occurs over a vast span of time; the book is epic in scope — in fact, two of the chapters were first published as stand-alone novellas in the Magazine of Fantasy and Science Fiction. Eventually, the crew members assume the powers and names of Hindu deities; their main concern is preventing enlightenment, and scientific or technological advancement among their human subjects.
Winner of the Hugo Award for Best Novel. I should also mention John T. Ellison published a sequel, Again, Dangerous Visions , in ; a third, as yet unpublished sequel, is now infamous. As a new Ice Age dawns sparked by a nuclear holocaust? War and revolution break out everywhere. Plot possibilities unfurl, only to furl back up again; is the narrator insane?
In this metafictional cult classic, set in the near future, not long after the Bicentennial, when video phones and personal hovercraft are common, a ragtag group of Greenwich Village hippies discover that their acid trips are beginning to come true.
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Can these drug-addled pacifists thwart the alien invasion? The sci-fi blog io9. In the year , interstellar human society is divided into three constellations — each of which was originally colonized by different Earth socio-economic classes. Draco, which includes Earth and other wealthy planets, is an aristocratic constellation ruled by the caucasian Red family, whose Red-Shift Limited is the sole manufacturer of faster-than-light drives; the Pleiades Federation, a middle-class constellation, is the home of operations for the rival mixed-race Von Rays.
The Outer Colonies, settled by working-class Earthlings, are the source of the important energy source illyrion, a superheavy element essential to starship travel and terraforming planets. Our protagonist is Lorq Von Ray, a playboy who — years earlier — was attacked and scarred by Prince Red. There is a central story line, with recurring characters including Shalmaneser, a super-computer.
Meanwhile, a Southeast Asian country has achieved a breakthrough in genetic engineering.
We briefly meet many other characters, via fragmented, information-rich chapters devoted solely to world-building. Political slogans, advertising, song lyrics, journalism, and slang recorded in a glossary titled The Hipcrime Vocab , by sociologist Chad C. Mulligan , help us experience the social, economic, and cultural consequences of unchecked population growth. Although there are plenty of thrills and chills here for example, Deckard is seduced by an android whose mission it is to make it impossible for him to kill Pris , this is as much a philosophical novel about empathy as it as an adventure.
The androids have no emotions — the only way that Deckard can tell them apart from humans is by giving them empathy tests. And the sequel, Blade Runner , further muddies the waters. Our unnamed narrator, a writer, lives outside an unnamed town, on the fringes of a commune called iDEATH. The commune features a trout hatchery which produces oil used to light their lamps and a watermelon works which produces multicolored sugars used to fashion every sort of commodity , not to mention huge statues of vegetables, and shacks to which those who want to spend time alone can retreat.
The setting is idyllic, but also somehow post-apocalyptic. The mood is elegiac, light-hearted, sad, and critical all at the same time. We are reading the diary of an imprisoned conscientious objector, the poet Louis Sacchetti, who has been sent to Camp Archimedes, the inmates of which are dosed unwittingly with a strain of syphilis as part of a military experiment. Reilly, Sacchetti is one of the great obese fictional characters. Do we humans create Hell for ourselves? Serialized in New Worlds in In , Philip K.
Dick wrote a paranoid letter to the FBI suggesting that there were coded messages in Camp Concentration. Our protagonist is Helva, who was born with an exceptional brain and severe physical disabilities… so she was raised as an indentured servant destined to be a starship brain. In the s, McCaffrey and co-authors produced six sequels. When he is fourteen, Van Veen, who will grow up to be a psychologist and renegade scholar, falls in love with his eleven-year-old cousin, Ada; they begin a life-long sexual affair, despite later discovering that they are half-siblings. The story begins in the early 19th century, though characters discuss airplanes, motion pictures, and other anachronistic technologies; everything is powered by water, and it is forbidden to mention electricity.
After a light-hearted first half, the film takes a plunge into darker drama in the second, when ET is captured and quarantined. However, they are likely accidental; Spielberg has said he sees his film more as a "minority story" about two outsiders who join forces in isolation. There is also more than a hint of fairytale about ET, notably in the film's final, famous chase sequence, in which Elliott takes to his bicycle with ET on the handlebars and soars, Peter Pan-like, up into the sky.
As in Close Encounters, there is a healthy scepticism about authority on show, but ET: The Extra Terrestrial is a less worldly film.
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Like much of Spielberg's work, it was heavily influenced by his parents' divorce and based on an imaginary friend he created at the same age as Elliott. After the usual labyrinthine negotations with the Soviet authorities over the script, what emerged was a space film unlike anything before or since. Lem's novel posited the existence of solaristics; the study of an outlying star system that had bizarre effects on human psychology.
Tarkovsky took this idea, and turned it into a dreamlike interrogation of faith, memory and the transfiguring power of love. Tarkovsky begins his version of the story with some of the most magically earthbound images ever filmed, as his protagonist, a psychologist called Kelvin Donatas Banionis , contemplates his garden. He then embarks on a voyage to the space station circling Solaris, there to investigate the reports of eccentric behaviour of previous visitors.
Kelvin undergoes an ordeal by memory, as Solaris' psychoactive properties trigger the reappearance of his dead wife, Hari Natalya Bondarchuk. The space station becomes a place of mysterious hauntings and apparitions. His colleagues hardly inspire trust, and Kelvin attempts to make sense of what is happening to him as he retreats further into an internal world. Tarkovsky was barely interested in Lem's main preoccupation: Solaris, and its apparently animate "oceans", are simply a conduit to, and externalisation of, deeper spiritual matters.
It's fair to say that no other director can have got anywhere near the mystic uplift of this film - and that includes the Steven Soderbergh remake with George Clooney. Lem didn't like the way his novel had been adapted; Tarkovsky himself considered it a less than successful film. But the clarity and beauty of Solaris ensures its majesty lives on. Alien is a perfect storm of talents: The most noticeable and revolutionary work on this film was, of course, on the design side. O'Bannon had previously worked on Alejandro Jodorowsky's ill-fated adaptation of Dune a project that also fell through Ridley Scott's grasp.
Years before, Giger had a vivid nightmare where a lavatory and surrounding plumbing came to queasy, pulsating life — and so his "biomechanical" style was born. His creations were bizarre, organic machines and his designs for Alien, such as the huge derelict spaceship the astronauts investigate, seem as much grown as constructed. Alien uses a similar story framework to the 50s cheapo monster flick It!
The Terror from Beyond Space , but adds so much to it that it becomes a far deeper film. There are plenty of subtexts at play here, such as having the lead role played by a woman the script just used surnames in a non-gender specific manner , or the male Kane giving "birth" to the creature in the still-powerful "chestburster" scene.
However you approach it, this is a wonderfully immersive and terrifying film. It was such a shock to the system when it was released and a huge hit to boot that you can still see its influence in countless sci-fi and horror films decades down the line.
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Most directors who have finished a science-fiction film tend to choose something a little more down to earth for their next project. Ridley Scott , coming off Alien, launched himself into something even more stylised and visually dense. These synthetic humans — almost impossible to discern from the real thing — have escaped from one of the "off-world" colonies and returned to Earth. Deckard's mission is to "retire" them, but the reason behind the replicants' return is interestingly emotive: Blade Runner, notoriously, was completely misunderstood when it was released.
Ford was an action man and audiences could be forgiven for thinking this was going to be a sort of Indiana Jones and the Flying Police Car. It wasn't helped by the clumsy voiceover and coda that the studio insisted upon. Now, though, there's no denying its classic status. There are several versions available, each showing that with even a few minor differences, this film can be read in different ways. Is Deckard a replicant? Even Scott and Ford can't agree. Designer Syd Mead also pulled his weight.
Mead was a visual futurist, a designer of advanced concepts for companies like Chrysler and Philips.
However, it is Rutger Hauer's final speech, as the dying replicant leader Roy Batty, that people remember the most. It's an emotional end, adding unexpected heartbreak to a film that may have seemed almost baffling at first viewing. Although many sci-fi films followed, none have had the lasting, seemingly self-regenerating appeal of Fritz Lang's silent classic — perhaps because, after its Berlin premiere in , it is arguable that no authoritative version of it has ever really been established.
Originally clocking in at two hours and 33 minutes, Metropolis has since become a movable feast, with new scenes and scores — Giorgio Moroder issued a derided, colour-tinted synth version in — that have kept Lang's epic current. But the real key to its longevity is its thematic content: Write a customer review. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers.
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