Beyond the Aleph (Special book series dialogue 1)
Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me: You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand.
The path that you are to take is endless, and you will die before you have truly awakened. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream. I recognize You, O God, in the trials I am going through.
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May Your pleasure be my pleasure, too. May I be Your joy, the joy that a Father feels for a son. The third one, though, told me to consult some verses from the Koran. I can see that he's excited. The custom of characterizing a person by his madness, for example, as Dickens does. Over the course of the story, the technique of extravagant games with time or space, as Faulkner, Borges and Bioy Casares do. In poems, situations or characters with whom the reader can identify. Characters susceptible of becoming myths. Phrases or scenes intentionally attached to a given place or time — i. Metaphors in general, and especially visual metaphors.
More specifically, agricultural, sea or banking metaphors. One absolutely unwise example: The creation of novels whose storyline is reminiscent of another book. Writing books that resemble menus, albums, itineraries or concerts. Anything that can be illustrated. Anything that can suggest the idea of being adapted into a movie. In critical essays, all historical or biographical references. Always avoid allusions to personality or the private life of one of the authors in question.
Above all, avoid psychoanalysis. Domestic scenes in police novels, dramatic scenes in philosophical dialogues. Avoid vanity, modesty, pederasty, the absence of pederasty, suicide. The powerful art of giving thanks Gratitude is one of the most wonderful tools for configuring reality. The powerful art of giving thanks. A rest for the senses in a video of minimalist… Sometimes, less is more.
Aleph Quotes (28 quotes)
A short video invites viewers to rest their minds and enjoy,…. A rest for the senses in a video of minimalist…. Freud may have dreamt of his own cancer, three decades… A widely discussed theory is explained by Eric Wargo, bolstered by ideas from quantum physics. Freud may have dreamt of his own cancer, three decades…. Diversity is Sacred it needs to be celebrated, today, more…. An animated tribute to the mind of Oliver Sacks.
- Aleph Quotes.
- 16 tips on writing, from Jorge Luis Borges.
- The Aleph and Other Stories by Jorge Luis Borges.
- God Only Knows!
- Jorge Luis Borges - Wikiquote.
- Jorge Luis Borges!
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The art of giving space relationship advice from Rainer Maria…. The Heart of the Matter: Just as one memory or event is inseparable for Borges from the string of all others in which it exists, so too are objects inseparable from their past and future histories, and the visions on display in something like the Aleph; though infinitudes of possibility are often construed as wondrous, expansive, and promising, they are always signs of danger in a Borges story, just as immortality is.
Similarly, when a path or solution seems to be too easy, it should be cause for caution, as it inevitably results in a character being lured somewhere as opposed to determining his own path their as he thinks he is. The plans that characters think are theirs are often those of others, and that which they believe to be the right place at the right time often ends up either being the wrong place at the right time.
Especially in the two stories included here which I recently revisited in Ficciones , I was reminded of how carefully constructed his stories are, even at the same time as they seem effortless. The relatively limited number of specifics provided implicitly amplifies the importance of the abstractions which often seem like the true frameworks of Borges stories. Also like his stories, and his characters who find themselves in them, events cannot necessarily be explained but can be believed false, as can conjectures as to the reasons and causes behind them that which is false, or likely false--e.
Also a shame is the fact that Borges was not permitted the rights to translate all of his own stories which he wished to include here, notably additional selections from both Ficciones and the original collection El Aleph. Mar 03, Vinay Ayilavarapu rated it really liked it. This review has been hidden because it contains spoilers.
To view it, click here. I've read Labyrinths previously and was expecting a series of stories related to labyrinths. Instead this book introduced me other genres Borges explored. The "Aleph" as suggested in the 1st story says "is a point in space that contains all other points". This is both its strongest asset and Achilles' heel. By exploring multiple genres the book can reach out to wider audience while leaving some audience wanting more.
You can find a story by story basis rating given below: Unfortunately, I couldn't finish the autobiography but I would recommend this book for people interested in studying the evolution of his writing style. Comments on each story: For those who don't read outside of SF, imagine a J.
Ballard condensed novel with more connections and a higher sense of the fantastic. Hmm, that was a worthless description. It is hard to find a match for Borges in the genre, because he was always succinct, and could never have survived in the dog-eat-dog world of pay by word. The gimmick is simple--the aleph Comments on each story: The gimmick is simple--the aleph is to space what eternity is to time--but the method by which the author discovers it is unusual.
I like Borges because his approach to a fantastic concept is unlike any found in the genre. Genre writing seems to emphasize the gimmick, in mainstream writing it is simply one part of the landscape against which the characters are placed. Only in Borges do all elements seem equal, similar in concept to his own aleph, to return in a style similar to Borges himself. OK, but I like my stories to have a little something more. The literary device is ingenious, allowing Borges to comment on literary criticism at the same time he is creating literature.
Here he bends the two together in a story that is also a metaphor for the process of setting and achieving goals. Poe, though, would have stretched it out to twice its length. At one point I thought that maybe Cruz was going to be killing his own father, but instead he goes to the aid of himself? Highly appropriate subject for a Borges collection.
Okay, but it's still a western at heart. Pedro did not act like a hero in the battle Borges has an unusual way of framing his tales, usually with an objective third person narrator, that shortens the stories tremendously. I guess he did not get paid by the word. Some Of these stories are morality or revenge plays, that do not require much speculation. What I find interesting is the references to other stories flirt makes this seem like a reference article instead of a story.
- This Quote Is From.
- Enfin seule (FICTION) (French Edition).
- Aleph - Ex Libris Knowledge Center.
- Memorie giovanili di un pazzo pretenzioso (Italian Edition).
- Every Young Mans Dream.
Borges here formulates a question about the nature of memory. When you look at how others perceive you and realize that that is not how you perceive yourself is a crisis of identity as in here , or how people might perceive a younger version of you. I often look at my current life and wonder.
There is no way that Glen circa. Thoughts and hopes and goals are all so mutable. The funny thing is that I will reread these words 10 or more years from now and be struck by the same strangeness.
The Aleph and Other Stories 1933-1969
I had not realized that Borges had gone blind before his death. It's not something I would recommend to any woman, as it is quite misogynstic. However, it is an incredible story, and a fairly straightforward one for Borges, about friendship and brotherhood. Well done, but it seems much more dated than almost everything else in this collection stories from to Almost a trick story, because the title refers to something other than what you expect. Borges had a real knack for the short short, never an easy thing to write.
Finally, there is an autobiographical essay at the end, for those of us who wonder how Borges evolved as Borges himself does in "Borges and Myself". This collection is an excellent introduction to Borges, and clearly shows how he revolutionized the short story and became the pater familias of a new genre classification. And so, my life is a running away, and I lose everything and everything is left to oblivion or to the other man. The Aleph is not my favorite Borges book, but typically I am not one for reading about knife fights, and hoo boy, are there a lot of knife fights in this one.
Nonethel The Aleph is not my favorite Borges book, but typically I am not one for reading about knife fights, and hoo boy, are there a lot of knife fights in this one. Most of the stories about knife fights are pretty good, actually. There was one, though, that kind of reminded me of the sort of thing that could happen in a B-grade comic book.
One thing that stands out about The Aleph as different from other selections of his short stories is the inclusion of an autobiographical essay Borges wrote for this particular selection of his work, in which he narrates events from his life and retraces moments from his literary career. At the end of the book are short commentaries by Borges on some of the stories. Jan 26, Crito rated it really liked it Shelves: So the selling point here would be the translation, the autobiographical essay, and the additional commentary.
The stories are still as good as they already were, of course. And the essay is interesting though not incredibly revelatory. And finally he has some commentary on each of the stories in the collection, providing modest explanations and explaining where the stories came from.
So is it worth hunting this book down? No, not particularly; everything it offers never goes above the rank of a curiosity, and the story selection is decent but scattered and already available everywhere else. Sep 11, Hairybrew rated it liked it. It's probably unfair to rate a collection of stories as it has changed since this edition.
I read the 20 stories in my edition, but didn't complete the Autobiography — I plan to at some point. Having never read any of Borges work before, I had a false impression of what I expected more fantasy fiction based on hearing the author's name come up amongst family and friends. After reading the summary of the current version of this book I had to scratch my head D It's probably unfair to rate a collection of stories as it has changed since this edition.
Did I sleep through a story? On comparing the edition contents, my edition did not have "Deutches Requiem," "The Zahir" and some other titles as well. In the newer edition I noticed "Streetcorner Man" is not in the newer edition. The omission of "Streetcorner Man" would make sense since Borges criticizes it as "hardly a good one" in "The Challenge" also in The Aleph in which he tells the visceral tale that helped him work out that story.